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EX!T 14 – 手工電影及其作者 Handmade Films and Their Makers
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國家電影及視聽文化中心 小影格 Cinema B
12.07 SAT 15:30 12.08 SUN 19:40
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馬庫斯的山影下 In the Shadow of Marcus Mountain
羅伯．謝勒 Robert Schaller｜美國 USA｜2011｜16mm｜b&w｜6min
2012 鹿特丹國際影展 光譜短片單元 International Film Festival Rotterdam. Spectrum Shorts
謝勒以自製針孔相機捕捉風景，嘗試反思處於思維和感知之間的半夢半醒狀態。光影流動之間，謝勒思索兒子對生命帶來的重大轉變。
Schaller uses his homemade pinhole camera to capture the landscape, attempting to reflect on the hypnogogic state between thought and perception. It is also a meditation on the profound changes that his son has brought to his life./
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天上地下 Dans les cieux et sur la terre (In the Heavens and on Earth)
艾文．懷斯格伯 Erin Weisgerber｜加拿大 Canada ｜2022｜16mm｜ color-b&w｜12min
2023 卡羅維瓦利影展 想像單元 Karlovy Vary International Film Festival. Imagina
2023 新電影影展 新煉金術競賽單元 Festival du nouveau cinéma. Compétition Les nouveaux alchimistes
2023 首爾實驗電影與錄像影展 國際競賽 Experimental Film and Video Festival in Seoul. International Competition
16毫米反轉片拍攝、手工沖印，所有的疊合影格都是在攝影機裡被創造出來，鏡頭朝向蒙特婁的舊建築以及城市植被。懷斯格伯以攝影眼的非常態視角和隨時正在重組的流動影像，瓦解日常可見景物的秩序。
All the images are created in-camera, shot and hand-processed on reversal film. The unconventional sightline of the camera eye and constant recomposition dissolve the hierarchies between the Montreal monument and urban flora.
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你的終點站 Terminus For You
尼古拉斯．雷 Nicolas Rey｜法國 France｜1996｜16mm｜b&w｜10min
2021 里斯國際本獨立電影節 觀摩單元 IndieLisboa International Independent Film Festival. Silvestre
巴黎地鐵乘客在月台間的手扶梯上移動，我們看見了什麼？黑白影像的粗粒子勾勒如畫般的圖像，幾何圖案來來去去，人們的臉閃現又飛離。文字、海報標語夾雜在世間相遇之間，為各個章節道出引言。
Passengers in the Paris metro move from one platform to another. Glimpses of words, titles torn from posters, are interspersed between these fleeting encounters. This playfully introduces different chapters.
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向陽 Heliotropy
亞歷珊卓．摩拉蕾索瓦、喬基．巴格達薩洛夫（Labodoble） Alexandra Moralesova/Georgy Bagdasarov (aka Labodoble)｜捷克 Czech Republic｜2023｜16mm｜color ｜5min
2023 法國南特 稜鏡#6—未來的銀鹽 Prisme 6—Argentique du futur
2023 荷蘭鹿特丹 回到未來類比影音藝術節 Back to the Future
在夏至那天，《向陽》以植物-人類的姿態把對太陽的崇敬轉印在膠卷上，太陽養育的植株提供了部分的顯影劑，進而沖印出自身的影像。
Heliotropy is a veneration of the Sun impressed on film during the summer solstice observed from the plant-human perspective. The flora nourished by the sun passes from the image into a solution and with its juices develops its own image.
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即時生活 Instant Life
安亞．多尼登、璜．大衛．岡薩雷斯．摩洛伊、安德魯．金 Anja Dornieden & Juan David González Monroy & Andrew Kim｜德國、美國 Germany, USA｜2022｜16mm｜color ｜27min
2022 柏林影展 論壇延展 Biennale Forum Expanded
1941年原版《即時生活》放映結束後，導演發給觀眾沒有謎底的謎題紙片。1981年，三部重拍版完成，沒有人看過。2014年，跳蚤市場出現一捲《即時生活》錄影帶，現在要觀看的是根據錄影帶的重新創作。
In each screening of the 1941 Instant Life, the director would hand out a slip of paper with riddles. In 1981, the remakes were completed but no one ever saw it. The film you are about to watch is a recreation based on a VHS tape.
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貝爾加木 balga
曾莉珺 Lichun Tseng｜臺灣、荷蘭 Taiwan, The Netherlands｜2010｜16mm｜b&w ｜5min
2013 紐約電影節 前衛之眼 New York Film Festival. Views from the Avant-Garde
借由高反差黑白膠卷的語言，呈現詩意的視覺影像，回應對澳洲原生草樹的感受。他似草也似樹，生長速度極緩慢，和土地與人有很深的關聯，他被稱為Xanthorrhoea preissii，原住民稱他為貝爾加木。
High contrast black and white film was used to capture and document the movement of the grass tree, as a way to reflect their visual poetry. The scientific name of the grass tree is Xanthorrhoea preissii. People also call it Balga.
