EX!T 14 – 多面體 I PolyhedronＩ
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國家電影及視聽文化中心 小影格 Cinema B
12.07 SAT 17:40
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BIPM BIPM
陳省聿 Chen, Hsin-yu｜法國、台灣 France, Taiwan｜2023｜HD｜b&w ｜3min
2024 BIDEODROMO 電影與錄像藝術節 BIDEODROMO International Experimental Film and Video Festival
2023 北京國際短片電影節 Beijing International Short Film Festival
在超8底⽚上，15公尺等同於2.5分鐘長度。我在巴黎市郊的國際度衡局外，以⼀卷超8毫⽶底⽚為長度，⾏⾛與2.5分鐘底⽚等長的15公尺距離，以單⼀鏡頭拍下此過程。透過強⾏疊合的時間與空間測定，思索標準化、適應和身體經驗等概念。
On Super 8 film, 15m equals 2.5 minutes. Outside the Bureau International des Poids et Mesures in Paris, I walked this length in one shot. This forced synchronicity of film, time, and space examines standardization, adaptation, and embodied experience.
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視差 Parallax
陳省聿 Chen, Hsin-yu｜美國、台灣 USA, Taiwan｜2023｜HD｜color ｜9min
2023 Ground Level Cinema 台日實驗片自主放映
光學距離的測和⼼理距離疊合碰撞，視⼒檢測的經驗退後至昆蟲動態視覺實驗，我們穿越暗箱⾛進拉岡的軼事，內外空間逐漸模糊，這是⼀個從外部定錨⾃⼰的過程。
Optical distance collides with psychological proximity. We walk through a camera obscura to a Lacanian anecdote, where interior and exterior space blur—a process of anchoring oneself from the outside.
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100英尺 100 ft.
金旼貞 Kim Minjung｜韓國 South Korea｜2016｜HD｜color ｜3min
2017 多倫多國際影展 Toronto International Film Festival Official Selection
2017 英國愛丁堡國際影展 Edinburgh International Film Festival Official Selection
（100英尺）以一整卷100英尺的16毫米膠片單一鏡頭拍攝：兩位腳掌大小不同的人物一起穿越一片廣闊之地。
Minjung Kim’s (100ft) consists of a single uninterrupted shot, lasting an entire 100ft roll of 16mm film, as two figures with different sized feet traverse a vast, striated landscape.
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當紅色濾鏡抽離之後 The Red Filter is Withdrawn.
金旼貞 Kim Minjung｜韓國 South Korea｜2020｜HD｜color ｜12min
2021 德國柏林影展 Berlin International Film Festival Official Selection
2020 多倫多國際影展 Toronto International Film Festival Official Selection
凝視著濟州島的各個角落充滿殖民遺跡，召喚起不義與屠殺的記憶。本片靈感來自雷內·馬格利特的畫作《人類的境況》，將洞穴外的景色投射在畫布上，形成內外重疊的視角。
Colonial sites and memories of uprisings and massacres fill every corner of Jeju. Inspired by René Magritte’s La condition humaine, the film offers a view of the outside of the cave superimposed on a canvas.
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稜鏡 Prisms
丁昕 Sandy Ding｜中國、美國 China, USA｜2012｜16mm｜color ｜20min
微光穿透透明結構的碎片，在時間之廟裡，觀者沉入了深層潛意識。女神、神殿與階梯縈繞不去，宛如深邃宇宙中的鮮明幻象。
An abstract film of marginal light seeping through fragments of transparent structures. Inside the time temple, observers sink into subconscious realms where goddess, temple, and stairs become haunting yet luminous images in the dark cosmos.
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光打在我眼上 Reflection
林玟伶 Lin, Wen-ling｜台灣 Taiwan｜2023｜HD｜color ｜8min
2024 南方影展 South Taiwan Film Festival
妹妹的一捲底片開啟了我對於照片與家鄉的想像，當照片中的樹是樹、海是海、手就是手的時候，我可以怎麼藉由她的觀看方式新回看這個已生活過二十幾年的地方？
Inspired by my sister’s roll of film, I reflected on my relationship with images. Curious about how she saw landscapes, I revisited those scenes. Imagining her perspective, we began a game of shared views.
