EX!T 14 – 幽暗中不可見的可見——長片放映 焦點藝術家 Gaëlle Rouard
Darkness, Darkness Burning Bright
/
國家電影及視聽文化中心 小影格 Cinema B
12.07 SAT 13:00
/
黑夜，燦爛燃燒的黑夜 Darkness, Darkness Burning Bright
蓋兒·胡亞 Gaëllë Rouard｜法國 France｜2022｜DCP｜b&w ｜70min
2022 25FPS影展 擴延電影單元 25FPS. Expanded Cinema
2022 鹿特丹國際電影節 International Film Festival Rotterdam P&I selection
1996年到2006年間，胡亞主導法國格勒諾勃的藝術家自營沖印室MTK，在電影數位化趨勢下，MTK成為歐洲指標性的光化學影像藝術社團。其後，她持續活躍於現場電影展演和手工工作坊。《黑夜，燦爛燃燒的黑夜》是胡亞的第一部長片。
這部作品分為上下兩部曲〈前奏〉和〈祈禱〉，〈前奏〉圍繞著被色彩、影子穿透的風景，引發一系列的感覺片段。每一幀影格都是一幅靜物畫，感光乳劑顯像如同新生。
然而，如第二幕標題〈祈禱〉所暗示，死亡的陰影使人停下腳步，反思生命。膠卷如棱鏡般將感知帶入光亮，折射獨屬於光化學電影的隱喻。
Between 1996 and 2006, Gaëlle Rouard led the artist-run lab MTK in Grenoble, France. Amid the trend of digital cinema, MTK became a significant hub for photochemical film art in Europe. From then on, Rouard has been active in live performances and hand-made film workshops. This is her first feature film.
The work is composed of two parts. Prelude dives into landscapes penetrated by colors and shadows. Each frame is like a still life; the emulsion mirrors the state of the newly born. In Oraison, the shadow of death causes one to pause and reflect on life, a metaphor proper to photochemical film.
